Before you do anything else, give that track a listen. Careful, though. One can, if one is the type, fall into the beauty of it. Vivant, a duo of fiddler Mark Prescott and accordéonist Clive Williams (who has been mentioned here before, and who is well-known as one of the senior partners over at melodeon.net) has an amazing touch. Lyrical, precious, sweeping ... dare I say it? ... pretty. I was going to write more extensively about the recording, but after I asked him a few questions, Clive offered the following, eloquent account Vivant's approach, history, and new album coming up.
by Clive Williams
|To stream in its entirety for FREE go HERE|
On the recording, you'll hear 3 boxes - mostly the Castagnari Mory in D/G, with the semi-unisonoric layout that makes that A minor drone on the opening track, "After Hours," possible. Try playing that on a standard melodeon! While it doesn't actually give you more chords over a normal 12 bass, unisonorics add a lot of textural possibilities; you can play them normally, drone the bass note, drone the chord, hold a G chord drone while playing D, Bm, C, chord sequences over the top, and all manner of crazy stuff. It's great for developing a bass "story" during a track, like in the Tallis' Canon, where the tune on the melody end is more or less consistent all the way through; it's the bass that varies. You'll also hear a Hohner Model I 1930's box in C/F, on "Carousel," and "Mazurka Rigal," and on a couple of tracks; "Benjamin's," and "Corpus Christi Carol," the melody is played on a Castagnari Lilly in A/D. I've still got all three boxes, and you can see each of them in my youtube videos.
With one exception, Mark's composition, "Julie," the music is as it would be played live; i.e. in concerts we can play these pieces as played on the CD - there are no overdubs or 'special guests' - one of my bugbears is musicians who do a great live act, but when they come to do a CD, feel the need to spice it up by adding a bit of guitar here, a bit of drums there, and before you know it, they've got a sound which is nothing like the magnificent live sound which made you buy the CD in the first place.
So, when we play this stuff out, it's quite similar to how we play it on the CD, albeit that we've both developed as musicians since then, so the nuances will have changed. It's not arranged note by note - we simply listen to each other as we play, and complement each other. It also helps of course that without any guitarist/bass player/etc, I've got pretty much free rein to do whatever I want on the bass end without clashing. We like playing in churches; we do occasional gigs in my local parish church in Stony Stratford, where the acoustic is just amazing - our slower paced stuff suits the natural reverb of the church perfectly. We'll be playing there again, in mid June, when hopefully we should have our long overdue second album ready.
The second album, by the way, will be just like the first; just the 2 of us playing, gentle but sweeping stuff, using the Mory and the C/F Hohner, and again played exactly as we would play it live.
Go to Vivant's bandcamp site to stream the album in its entirety for free. You can also purchase or download it there.